John.18

Edited by Alan Brown.  This volume is the first of two intended to extend the coverage of keyboard music in Musica Britannica comprehensively into the first quarter of the 17th century.  The

Publication of the complete English sacred music of George Jeffreys (c.1610–1685) opens a window on the achievement of one of the few pre-Commonwealth composers wholeheartedly committed to the

Darkly chromatic roulades for clarinet, perhaps the creature's fiery breath, set the scene for an exciting duet on a

All eighteen pieces in this collection are reliably dated to the reign of James I, and whether by named composers or anonymous ones, appear in sources other than the notable virginal books preserved in the

Six pieces from Musica Britannica, Vol. 96. This is a unique collection offering of music by John Amner, Nicholas Carleton and John Tomkins that is the only surviving keyboard music by the

A creative spirituality is the essence of Andrew Pratt's continuing affirmation of the role of hymnody in contemporary

Edited by Christopher O'Brien. Shedding light on a little-known aspect of late-Victorian theatre, MB99 offers full scores and librettos of two one-act operettas, produced at the Savoy Theatre and written to

Aiming to complement and complete the repertory of early secular polyphony edited by John Stevens in Musica Britannica volumes IV, XVIII and XXXVI, Secular Polyphony 1380–1480 includes music from MSS